Cinema and Architecture: Melies, Mallet-Stevens, MultimediaFrancois Penz, Maureen Thomas The result of a collaboration between the University of Cambridge's Department of Architecture and the National Film and Television School in the UK, this book includes papers on the architecture in the work of Jacques Tati, Woody Allen, and Martin Scorsese; on modernism in French cinema and architecture; on the use of Rome as a location for feature films, and discussions of architecture in documentary films of the 1930s. |
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Contents
INTRODUCTION | 1 |
Charting the Genre of the City Film 19001930 | 8 |
Architecture Cinema and Poetics | 28 |
Copyright | |
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Andrei Tarkovsky animation architects architectural space artists audience avant-garde Berlin building built camera Cavalcanti Centre characters Christopher Hobbs Cinecittą cinema cinematography colour computer graphics construction Corbusier created culture digital images director documentary film effect example exhibition Expressionist Federico Fellini film-makers filmic frame Germany Hans Richter housing Hulot interactive Italy Jacques Tati Jean Nouvel Jean-Luc Godard Le Corbusier lens light look Manhattan Martin Scorsese metropolis Michelangelo Antonioni montage motion movement movie moving images multimedia narrative Neighbourhood 15 neue Wohnung novel objects organisation painting Paris photographs planning Playtime production design protagonist realised reality reconstruction representation Richter Robert Greenhut Robert Mallet-Stevens Roma Rome Ruttmann's scene Scorsese's screen sequence shoot shot shows simulation spatial story structure studio Tati's techniques television urban Villa virtual vision visual w.d. Woody Allen walls window wohnen Woody Allen York Zbig Zbig Rybczynski