Why I Won't be Going to Lunch Anymore: Twenty-one Stories of the Santa Fe Painter's LifeOutsiders seldom understand the curious amalgam of artists, galleries, misfits and hangers-on known as the Santa Fe Art Scene. Douglas Atwill, a painter living and working in its midst for many years, writes stories with an insider's eye, tales of facing the easel every day, as well as those of dealing with the commercial demands from collectors, galleries and their crabby owners. In this collection of stories, we witness a group of Santa Fe painters confronting their art and life in creative ways, solving the ages-old problems of painting the perfect canvas, making that obstinate muse smile. Each story contains the secret to a Santa Fe painter, facing craft and life, and how he or she confounds the conventional view of what it is to be an artist. DOUGLAS ATWILL was born in Pasadena, California, earned a BA from the University of Texas at Austin and he served in the Army Counterintelligence Corps. After a long sojourn on a Piedmont cattle farm in Virginia and on the move throughout Europe, he settled in Santa Fe to pursue painting full-time. From a studio on Canyon Road, he paints landscapes and paintings of his own gardens. His work is shown in galleries throughout the West. Atwill's avocation of restoring adobe houses and building them anew has earned him a reputation for excellence in taste and design, and his houses have been featured in many magazines and books. This is his first collection of short stories. |
Contents
9 | |
25 | |
The Deathbed Of Cecily Brompton | 42 |
Nature To Advantage Dressed | 74 |
Two For The Price Of One | 102 |
The Petroglyph Dining Room | 111 |
Fair Warning | 129 |
Dipping Into Principal | 138 |
Studio Studio Burning Bright147 | 147 |
The Menace Of The Creeping Buttercup | 163 |
Catching The Cane Fields | 206 |
The Encouragement of Zacariah Mendoza | 219 |
LegOMutton Sleeves | 231 |
Other editions - View all
Why I Won't Be Going to Lunch Anymore: Twenty-One Stories of the Santa Fe ... Douglas Atwill No preview available - 2004 |
Common terms and phrases
adobe afternoon Alabaster Arla artist asked Barbados Bates beauty Billy Blythe Brompton Bronson brought brushes Bunty canvas Canyon Road Carlos Carrington Casa Marchment chair collectors colors Constance dark dear dinner door easel Erik exhibit eyes Fenwick finished friends Galisteo gallery owner garden gave Gertrude Griffith guests Halcyon Gallery Hayworth Henrietta Henry Heracles Isabel Jeremy Juanito Katherine knew landscape looked Ludlow Gallery lunch Magic Flute Mannerist Mariana Mendoza Meribel Michael Bates Miss Harkness Miss Prynne months morning Morrison motif museum Nambé Nambé Pueblo never Number painter painting panels Papa Parsley Patmos petroglyph Phillipa pieces Pollard portrait Pueblo Quarterman Santa Fe scenes sell Senora sitting sketches smiled Stark Strether studio summer sure Tempro terra cotta thought told took turned Victor's Walcott walked walls week Whitethorne window winter woman young