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THE ORIGINS MIRACLES MORALITIES
THE BEGINNINGS OF TRAGEDY OF THE HISTORY
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Abbey Theatre achievement acted action actor already attempt audiences Ben Jonson blank verse brilliant career Chapman characters chronicle play classical comedy comic conception Congreve contemporary contrived criticism death developed dialogue dramatist Dryden early effective eighteenth century elements Eliot Elizabethan England English theatre entertainment Etherege farce figure Fletcher Folio genius Hamlet Henry heroic history play humours imagination influence interest interludes intrigue John Jonson King Lady Lady Gregory language later London Marlowe marry Massinger mind mood moral morality plays motives never O'Casey original Osborne Osborne's outstanding patent theatres performed players plot poet poetic popular produced Quarto realism repertory Restoration comedy Restoration period revenge revived romantic Royal Court Theatre satire scene seems Sejanus Senecan sentimental Shakespeare Shakespearian Shaw shows social social realism story success T. S. Eliot talent Tamburlaine theatrical theme tion tradition tragedy tragic Webster West End whole writers wrote