Vision and Visuality, Issue 2Hal Foster A Village Voice Best Book of the Year, this seminal work presents new models of vision and examines modern theories of seeing in the context of contemporary critical practice. With contributions by:
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Contents
Jonathan Crary | 29 |
Rosalind Krauss | 51 |
GENERAL DISCUSSION | 79 |
Copyright | |
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Alpers argue art history art of describing baroque beat body Buci-Glucksmann CALIFORNIA/SANTA CRUZ UNIVERSITY camera obscura Cartesian perspectivalism Ch'an concept critique CRUZ The University cultural decentering Déjeuner Descartes Dia Art Foundation discourse discussion dominant Dutch art erotic fantasy figure folie du voir Foucault frame gaze grid Hal Foster historical Jacqueline Rose Jacques Lacan Jameson Jonathan Crary Lyotard Martin Jay matrix Max Ernst Merleau-Ponty modern modernist nerve nineteenth century Nishida Nishitani Norman Bryson notion object observer optical Pablo Picasso painting paranoid perception perspectivalist perspective physiological Picasso political position postmodern produced psychic psychoanalysis pulse question radical relation Renaissance Richard Rorty Rosalind Krauss Sartre's scopic regime seems sense sexual sight social śūnyatā techniques theory tion tive tradition trans twentieth century unconscious University Library UNIVERSITY UNIVERSITY OF CALIFORNIA/SANTA University Press viewer vision visual experience visual field visual space Western