The Magician

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Penguin, Feb 27, 2007 - Fiction - 224 pages
Maugham’s enchanting tale of secrets and fatal attraction

The Magician is one of Somerset Maugham’s most complex and perceptive novels. Running through it is the theme of evil, deftly woven into a story as memorable for its action as for its astonishingly vivid characters. In fin de siecle Paris, Arthur and Margaret are engaged to be married. Everyone approves and everyone seems to be enjoying themselves—until the sinister and repulsive Oliver Haddo appears.

 

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LibraryThing Review

User Review  - la2bkk - LibraryThing

I was a bit disappointed in this short work. Perhaps it was inevitable given my expectations after reading Of Human Bondage. In any case, while the story was interesting and read well (as do most of ... Read full review

LibraryThing Review

User Review  - CarltonC - LibraryThing

I enjoyed this rather melodramatic and contrived novel, written in 1908 about magic and the occult in Edwardian England/Paris. It does have some dated prose and it tends to heap on the detail in ... Read full review

Contents

Introduction
Suggestions for Further Reading
The Magician
A Fragment of Autobiography
 
Explanatory Notes

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About the author (2007)

W. Somerset Maugham (1874-1965) lived in Paris until he was ten. He was educated at King's School, Canterbury, and at Heidelberg University. He afterwards walked the wards of St. Thomas's Hospital with a view to practice in medicine, but the success of his first novel, Liza of Lambeth (1897), won him over to letters. Something of his hospital experience is reflected, however, in the first of his masterpieces, Of Human Bondage (1915), and with The Moon and Sixpence (1919) his reputation as a novelist was assured.

His position as one of the most successful playwrights on the London stage was being consolidated simultaneously. His first play, A Man of Honour (1903), was followed by a procession of successes just before and after the First World War. (At one point only Bernard Shaw had more plays running at the same time in London.) His theatre career ended with Sheppey (1933). His fame as a short-story writer began with The Trembling of a Leaf, sub-titled Little Stories of the South Sea Islands, in 1921, after which he published more than ten collections.

W. Somerset Maugham's general books are fewer in number. They include travel books, such as On a Chinese Screen (1922) and Don Fernando (1935), essays, criticism, and the self-revealing The Summing Up (1938) and A Writer's Notebook (1949). He became a Companion of Honour in 1954.

Robert Calder is professor of English at the University of Saskatchewan.

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