The Feminist, the Housewife, and the Soap Opera
The Feminist, the Housewife, and the Soap Opera traces the history of the feminist engagement with soap opera using a wide range of sources from programme publicity to interviews with key soap opera scholars. The book reveals that feminist scholarship on soap opera was a significant site of which the identity 'feminist intellectual' was produced in dialogue with her imagined other, the soap opera watching housewife. The book integrates personal autobiographical accounts within a broader history which traces both the move from 'women's liberation' to 'Feminism', and the acceptance of soap opera as a serious object of study.
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Womens Genres and Female Agency
The Housewife in 1940s Mass Communication
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academic actually analysis Ang's Angela McRobbie argue argument audience British British Film Institute Channel Four Chapter Charlotte Brunsdon Christine Geraghty clearly complex concerns context contradictory Coronation Street Crossroads cultural studies Dallas daytime Dorothy Hobson early EastEnders Edinburgh Television Festival Ellen Seiter engagement ethnographic example explicitly fantasy female femi feminism feminist critics feminist research fiction gender Herzog housewife identity intellectual interest interview investigation involved issues kind listeners Lopate Marxism material Mattelart melodrama Modleski narrative Noele Gordon object of study offers particular partly period pleasure political popular culture position production programme Radway reading relation research on soap romance second-wave second-wave feminism sense serial significant sort specific story study of soap suggests talk television Terry Lovell theoretical thing viewers viewing watching soap opera Wendy Craig woman Women and Film women's culture women's genres writing