Collected Works, Volume 2

Front Cover
Calder & Boyars, 1968 - Literary Collections - 240 pages
Drama. Antonin Artaud is one of the two or three most influential innovators of the twentieth centruy, whose theoried, production ideas along with his writings and plays have broght a new poetic impulse and dynamic intensity to the stage, replacing the naturalistic theatre that preceded his own. In this volume of COLLECTED WORK, we see Artaud's early formulations of his theories on theatre in general, and the genesis of the theatre of cruelty. In particular, the volume contains the famous manifestos of the revolutionary Alfred Jarry Theatre, productions plans, notes and critical articles. Also included is a series of articles on literature and the plastic arts, written during the same period. The variety and humour of such a wide range of work certainly constitutes a fertile source for those seeking a new approach to theatre and its allied arts. Translated and with an introduction by Victor Corti.

From inside the book

Contents

THE ALFRED JARRY THEATRE
8
The Alfred Jarry Theatre 1926
18
The Alfred Jarry Theatre 1928 season
26
Copyright

14 other sections not shown

Other editions - View all

Common terms and phrases

About the author (1968)

An early associate of the surrealists, Antonin Artaud broke with them to form the "theater of cruelty" in 1932. His goal, set forth in his long essay The Theater and Its Double (1938), was to replace the contemporary theater, with its emphasis on psychology, by a theater of myth that would reintroduce the sacred into modern life. Experiments with drugs, coupled with a long history of psychiatric trouble, led to Artaud's commitment to a mental hospital for nine years. He remains a contemporary heir to the nineteenth-century antiestablishment poets and an inspiration to contemporary theoreticians of the theater.

Bibliographic information