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AA Bronson acknowledged Acrylic on canvas aesthetic ego allegorical appropriation artist-run center audience Axes body Bruce Grenville Canadian Art Carmen Lamanna Gallery ChromaZone contemporary Critical Commentary cultural Curator deﬁne Deke Slayton diptych dressed early essay exhibition feminism fetishism ﬁg ﬁgure ﬁlm Final Girl ﬁnd ﬁve formal gaze gender genre Harbourfront History Painting Ianice Gurney identiﬁcation Identification/Defacement ideological Ieanne Randolph illus Ioanne Tod Iohn Bentley joanne Killer Lisa Steele Louise Dompierre magazine Mendel Art Gallery modernist montage Monumenta movie narrative neo-expressionism objects ofits ofthe canvas Oil on canvas Ontario patriarchy Philip Monk photograph pictorial logic pictorial space Pop Art Portrait As Prostitute Power Plant practice Purple Heart Queen Street racism Replications Dark-Haired Girls representation Richard Rhodes Sarnia Sherrie Levine signiﬁcance signiﬁcantly Slasher social Space of Difference speciﬁc Stan Douglas Subjects in Pictures tion Tod.s Tod’s earlier Toronto art Toronto artists uniﬁed Vancouver viewer woman women