Dona Flor and Her Two Husbands

Front Cover
HarperCollins, Nov 1, 1977 - Fiction - 640 pages
"In this second marriage there was no wooing, and this was as it should be, for it does not look right for a widow to be lovemaking in a corner or the doorway, cuddling, hugging, kissing, embracing, touching here, touching there, hand on breasts, slipping down to thigh."

"Poetic, comic, human" is how The Washington Post hailed "Dona Flor and Her Two Husbands," the international classic by Jorge Amado, Brazil's foremost novelist. This captivating fable celebrates heated passions, conjugal harmony, the rhythms of the samba, and the delectable joys of cooking.

Caught up in the pandemonium of carnival, the roguish and irresponsible Vadinho dos Guimaraes dies during a parade, leaving behind his long suffering wife, the irrepressible Dona Flor. As a widow, Flor devotes herself to her cooking school and an assortment of interfering but well-meaning friends who urge her to remarry. The lonely widow finds herself attracted to Dr. Teodoro Madureria, a kind, considerate pharmacist, who is everything the reckless Vadinho was not. Yet after their marriage, though content, Flor longs for her first husband's amorous, and exhausting, sensual pleasures. And Flor's desirous longing is so powerful that it brings the ghost of Vadinho back from the grave--right into her bed.

From inside the book

Contents

Section 1
3
Section 2
5
Section 3
27
Copyright

30 other sections not shown

Other editions - View all

Common terms and phrases

About the author (1977)

Jorge Amado, August 10, 1912 - August 6, 2001 Elected to the Brazilian Academy of Letters, Jorge Amado possesses a talent for storytelling as well as a deep concern for social and economic justice. He was born in Bahia, Brazil, in 1912. Some critics claim that his early works suffer from his politics. Others commonly express reservations concerning Amado's sentimentality and erotico-mythic stereotyping. In the works represented in English translation, his literary merits prevail. The Violent Land (1942) chronicles the development of Brazilian territory and struggles for its resources, memorializing the deeds of those who built the country. Gabriela, Clove and Cinnamon (1958), which achieved critical and popular success in both Brazil and the United States, tells a sensual love story of a Syrian bar owner and his beautiful cook. Home Is the Sailor (1962) introduces Captain Vasco Moscoso de Aragao, a comic figure in the tradition of Don Quixote. In Dona Flor and Her Two Husbands (1966), Amado introduced the folk culture of shamans and Yorube gods. The protagonists of Shepherds of the Night (1964) are Bahia's poor.

Bibliographic information