The Changeling

Front Cover
U of Nebraska Press, Jan 1, 1966 - Drama - 112 pages
18 Reviews
A changeling is a fickle person, a waverer, a person posing as another person, or an idiot. The Changeling portrays them all. The play interchanges not only characters, but authors, too. Written in 1622, it is one of the most successful collaborations in the history of the theater. Two plots, each the work of one playwright, interweave and collide. Words, lines, episodes, and scenes mix double meanings. Rowley's tragic plot combines hypocricy and love. Middleton's comic plot mixes madness and educated fools. Deceits tie things together, suspicions tear them apart.
 

What people are saying - Write a review

User ratings

5 stars
4
4 stars
9
3 stars
3
2 stars
1
1 star
1

Review: The Changeling (New Mermaids)

User Review  - Danny Mason - Goodreads

Perhaps it's because it was set as school reading that I enjoyed The Changeling so little, but I got absolutely zero enjoyment out of the play and didn't feel like there was any sort of profound ... Read full review

Review: The Changeling (New Mermaids)

User Review  - Esdaile - Goodreads

It is noteworthy and inspiring that the English drama of Shakespeare's contemporaries and the generation which succeeded him until 1641 has witnessed an upsurge in popularity in the last 30 years and ... Read full review

Common terms and phrases

References to this book

All Book Search results »

About the author (1966)

Thomas Middleton, 1580-1627 Middleton wrote in a wide variety of genres and styles, and was a thoroughly professional dramatist. His comedies were generally based on London life but seen through the perspective of Roman comedy, especially those of Plautus. Middleton is a masterful constructor of plots. "A Chaste Maid in Cheapside" (1630) is typical of Middleton's interests. It is biting and satirical in tone: the crassness of the willing cuckold Allwit is almost frightening. Middleton was very preoccupied with sexual themes, especially in his tragedies, "The Changeling" (1622), written with William Rowley, and "Women Beware Women" (1621). The portraits of women in these plays are remarkable. Both Beatrice-Joanna in "The Changeling" and Bianca in "Women Beware Women" move swiftly from innocence to corruption, and Livia in "Women Beware Women" is noteworthy as a feminine Machiavelli and manipulator. In his psychological realism and his powerful vision of evil, Middleton resembles Shakespeare.

Williams is a graduate of DePaul University in Chicago, Illinois, where he obtained a Bachelor of Philosophy Degree and a Master of Arts Degree.