Discourses in Dance, Volume 4, Issue 2Laban Centre, 2008 - Dance |
Contents
EDITORIAL | 3 |
STEPS TOWARDS | 25 |
FOLK THE DANCE ENSEMBLE OF | 39 |
Copyright | |
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aesthetic African American André Levinson archive argues artistic director Australian Baker's ballet Baker's dancing Balanchine Balanchine's ballerina Ballets Suédois Baxmann became Berlin black dance bourgeois choreo choreographic classical colonial complex contemporary dance context contrast create critical cultural Cygne Noir dance discourses dance history dance research dance studies dancers dancing body Deconstruction develop difference Discourses in Dance Dixon Gottschild East German embodiment Ensemble Erich-Weinert-Ensemble ethnicity European expressive dance female focus forms French gender German folk dances girls global Goldschmidt Harehills ibid indigenous dance jazz Joie de Paris Josephine Baker knowledge Laban Le Cygne London Margaret Morris Mary Wigman material ment modern dance movement music-hall national identity Pavlova performance Phoenix Dance Company political postcolonial primitive pupils repertoire representation Revue nègre Routledge Singerie social dances socialist Socialist Realism Spadolini specific Sternheim structures style Tanz Theatre tion tradition University Uznach vocabulary Wigman women writing