A Short History of Jazz |
Contents
V | 3 |
VI | 15 |
VII | 28 |
VIII | 37 |
IX | 39 |
X | 47 |
XII | 56 |
XIV | 65 |
XXIX | 203 |
XXX | 213 |
XXXI | 217 |
XXXII | 219 |
XXXIII | 224 |
XXXIV | 225 |
XXXV | 228 |
XXXVI | 232 |
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Common terms and phrases
African album alto sax approach arrangements Art Blakey artists bars bass beats bebop became began Benny Goodman big band Billy blues bop style born brass cassette side Charlie Parker Chick Corea chordal chords chorus clarinet classical Coltrane Columbia composer compositions Count Basie dixieland Dizzy Gillespie drummer drums Duke Ellington early electric ensemble famous featured figure film flugelhorn free jazz fusion guitar hard bop harmonic highly horn improvisation influence instruments jazz style jazz-fusion Jimmy John keyboards Latin Listen Louis Armstrong mainstream Marsalis melody Miles Davis Mingus modern jazz Monk Mulligan Musical Characteristics musicians Orchestra Orleans Ornette Coleman performances Personnel Photo courtesy pianist pitch playing pop-fusion Quartet ragtime Rhapsody Films rhythm rhythmic riff rock saxophone SCCJ record side singers soloists songs soprano Stan Kenton Study Guide swing fours tempo tenor sax theme third stream tion tonal tradition trombone trumpet player tune vamp Video Wynton York City young