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Abbey admirable afterwards architectural artist artist's proofs Baiae barber beautiful blue boats born Brentford Bridge Calais Carthage Castle Claude clouds Coast colour copy Cozens dark Dayes death died distance early effect England English engraver eyes father figures foreground Gallery Garden genius Girtin grey guineas Hearne hills imitation Italy J. M. W. Turner lake landscape Liber light lived London looking Lord Loutherbourg Maiden-lane Malton Margate mezzotint mind mountain Munro never numbers once painter Palace Paul Sandby pencil perhaps Petworth picture Plague of Egypt plates portrait proofs river rock Rome ruins Ruskin sails says scene scenery Scott seen shadows ship Sir Charles Eastlake sketch-books sketches skies Somerset House studies sunset Temeraire Thames tints touch tour trees Trimmer Turner exhibited Turner painted Twickenham Ulysses Venice visited water-colour drawings yellow Yorkshire
Page 318 - Thou art the garden of the world, the home Of all Art yields, and Nature can decree ; Even in thy desert, what is like to thee ? Thy very weeds are beautiful, thy waste More rich than other climes' fertility : Thy wreck a glory, and thy ruin graced With an immaculate charm which cannot be defaced.
Page 190 - Hath rent a strange and shatter'd way Through the rude bosom of the hill, And that each naked precipice, Sable ravine, and dark abyss, Tells of the outrage still. The wildest glen, but this, can show Some touch of Nature's genial glow; On high Benmore green mosses grow, And heath-bells bud in deep...
Page 298 - Last noon beheld them full of lusty life, Last eve in beauty's circle proudly gay ; The midnight brought the signal-sound of strife, The morn the marshalling in arms — the day Battle's magnificently stern array ! The thunder-clouds close o'er it, which when rent The earth is covered thick with other clay, Which her own clay shall cover, heaped and pent, Rider and horse — friend, foe, — in one red burial blent...
Page 153 - Yorkshire ; of all his drawings I think those of the Yorkshire series have the most heart in them — the most affectionate, simple, unwearied, serious finishing of truth. There is in them little seeking after effect, but a strong love of place ; little exhibition of the artist's own powers or peculiarities, but intense appreciation of the smallest local minutiae.
Page 190 - But here, — above, around, below, On mountain or in glen, Nor tree, nor shrub, nor plant, nor flower, Nor ought of vegetative power, The weary eye may ken.
Page 159 - But the most impressive scene, which formed the finale of the exhibition, was that representing the region of the fallen angels, with Satan arraying his troops on the banks of the Fiery Lake, and the rising of the Palace of Pandaemonium, as described by the pen of Milton.
Page 335 - Temeraire: so that these four ships formed as compact a tier as if they had been moored together, their heads lying all the same way. The lieutenants of the Victory...