Bravo!: A Guide to Opera for the Perplexed |
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Page 28
... bass - baritone typically sings the roles of Wotan in Wagner's Ring of the Nibelungs cycle , Hans Sachs in Die ... bass . Even among actors true bass voices are less common than baritone voices , hence the enormous 28 BRAVO !
... bass - baritone typically sings the roles of Wotan in Wagner's Ring of the Nibelungs cycle , Hans Sachs in Die ... bass . Even among actors true bass voices are less common than baritone voices , hence the enormous 28 BRAVO !
Page 29
... bass voice , however , it is surprising that so little attention seems to have been paid it in ancient times . Medieval and early Renaissance composers were less concerned with the bass sound as a color for solo song and more concerned ...
... bass voice , however , it is surprising that so little attention seems to have been paid it in ancient times . Medieval and early Renaissance composers were less concerned with the bass sound as a color for solo song and more concerned ...
Page 30
... bass roles , the boorish Baron Ochs . Meanwhile to the east , Russian basses , noted for the uncommon richness and power of their extreme lower register , enjoyed particular favor at home , inspiring most notably the title role in ...
... bass roles , the boorish Baron Ochs . Meanwhile to the east , Russian basses , noted for the uncommon richness and power of their extreme lower register , enjoyed particular favor at home , inspiring most notably the title role in ...
Contents
An Invitation to the Opera | 1 |
It Doesnt Start Till Somebody Sings | 12 |
In Praise of Divas and Prima Donnas | 40 |
Copyright | |
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American opera aria audience ballet Barber of Seville baritone Baroque bass beautiful bel canto Bellini Boris Borodin Callas career Caruso castrato century character chorus classical color coloratura comedy composers conductor dance death Donizetti donna duet eighteenth-century emotional English opera enjoyed ensembles famous Faust favorite Fidelio film final French genre German opera grand opera Handel inspired instrumental Italian opera Italy librettist libretto listeners lover Lully lyric mad scenes Marriage of Figaro melody Metropolitan Opera Moreover Mozart music drama musicians Mussorgsky nineteenth nineteenth-century Nonetheless Onegin opera buffa opéra comique opera house opera seria operetta orchestra Orfeo Otello overture performance piece play popular premiere Prince produced Puccini recitative recording repertoire Rigoletto Rimsky roles Romantic Rossini Russian score singers singing singspiel solo song soprano spoken dialogue stage story Strauss style Sullivan sung Tchaikovsky tenor theater theme Tosca traditional tuneful usually Verdi's verismo vocal voice Wagner writing written wrote