The Boy's King Arthur

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Courier Corporation, Mar 13, 2012 - Juvenile Fiction - 352 pages
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This rousing collection of tales offers readers an adventure-packed introduction to the legendary King Arthur and his Knights of the Round Table. Retold by the famous American poet and writer Sidney Lanier, the stories are adapted from Sir Thomas Malory's Le Morte d'Arthur, written in the15th century. The tales are told in the style and language of the original.
Readers will thrill to the glorious adventures of Arthur and his knights: the mysterious birth of Arthur, how Arthur pulled the sword from the stone to become King of England, Sir Percival's search for the Holy Grail, the tragic romance of Tristram and Isolde, Launcelot's gallant battle to save Queen Guenevere from a death sentence, and Arthur's final struggle with the evil Sir Mordred.
These stories capture the age-old drama and romance surrounding the fabled king and his followers, all sworn to uphold lofty ideals of courage, honesty, loyalty, and devotion. This inexpensive volume invites a new generation of readers to enjoy these time-honored tales of gallant knights and fair ladies.
These stories have inspired numerous film adaptations, including the 2017 release Knights of the Roundtable: King Arthur, directed by Guy Ritchie and starring Charlie Hunnam, Jude Law, Eric Bana, Djimon Hounsou, and Annabelle Wallis.

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About the author (2012)

Lanier was the foremost poet of the nineteenth-century South. Born in Macon, Georgia, he interrupted his education at Oglethorpe University to join the Confederate army. Taken prisoner, he developed tuberculosis, which led to a continual struggle with poor health and, ultimately, to his early death. The novel Tiger Lilies (1867) is based on his Civil War experiences. Throughout his life he was interested in both music and poetry. He played first flute in Baltimore's Peabody Symphony Orchestra, and his poetry reflects the connection he saw between music and verse. His greatest poem, "The Marshes of Glynn" (1878), is considered "a symphony without musical score." He lectured on the relationship of music and poetry at Johns Hopkins University and published The Science of English Verse (1880), which claimed that the laws of poetry and music were the same. Other lectures, including Shakespeare and His Forerunners (1902), were published by his widow. The work Lanier completed and the many fragments he left suggest a far greater potential than he was able to fulfill in his short life.

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