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First Phase 18301914
Second Phase 1914
11 other sections not shown
abstract Abstract expressionism abstract expressionists action painting Ad Reinhardt anti-art architect art for art's art's sake artist artist-architect attitude audience avant-garde Bauhaus beauty belief building century choice color communication concept constructivist contemporary art create creativity cubism Dada decorative dehumanizing Despite device direct disciplines effect emotion established esthetic exhibit existence experience exploration expressionism expressionist face fact feeling hall human idea ideal identified impact individual influence intellectual Jackson Pollock kind living man's mandarin materials Max Ernst means ment method modern architecture Modern Art moral motivation move movement Museum of Modern nature originality painters Park Avenue past Picasso picture Piet Mondrian pop art present problem purpose reaction recognition relationship response result Rodin sculpture Seagram building social society sound space spirit strange structural style symbols technical techniques things tion tradition turn Whistler York Yves Tanguy