Performance: live art, 1909 to the present
A provocative history of live art traces the precedents of contemporary multi-media events to Bauhaus experimentalism and surveys the Futurists' manifesto-like events, the Dadaists' cabarets, and later "happenings" and "spectacles."
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Acconci action activities actors actual artists audience Ball ballet Bauhaus became Berlin Beuys Black Mountain Black Mountain College blue body Breton Cabaret Voltaire Cafe Cage CHATTER CHITTER CHATTER circus collaboration colour costumes created Cunningham Dada Dadaists dance dancers demonstrations designed dressed Duchamp earlier Emmy Hennings exhibition Expressionist Festival figures film followed Foregger Futurist gallery gestures Gilbert and George Grosz Huelsenbeck Hugo Ball ideas images Janco Jarry Joseph Beuys Kaprow Klein manifesto Manzoni Marinetti masks material Mayakovsky means mechanical Merce Cunningham Meyerhold Moscow movement Museum musicians noise noise music objects painters painting Paris Picabia Piero Manzoni play poems poets poses posters presented production programme prostitute Ribemont-Dessaignes Russian Russolo Satie Satie's scene Schawinsky Schlemmer simultaneous soirees sound Soupault space spectator stage style Surrealist took place Trisha Brown Tristan Tzara Ubu Roi variety theatre walking Wedekind workshop wrote York Zurich