Getting Great Guitar Sounds
The first edition of Getting Great Guitar Sounds has helped thousands of guitarists get a basic handle on shaping their sound. This second edition had been expanded to cover modern multi-effectors, amp simulators, and advanced effect rigs in the same easy-to-understand language. To make getting started even simpler, Ross now lists his favorite effects and tells why they will provide most of the sounds guitarists will need.
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Introduction to the Second Edition
What Is Great Guitar Sound
The Electric Guitar as an Acoustic Instrument
TUNING MACHINES AND TUNING
CHORUS FLANGING AND OTHER PITCHDELAY EFFECTS
Tricks Of The Trade
PICKS AND STRINGS
The Electric Guitar as an Electric Instrument
Distortion and Sustain
Putting It All Together
THE CHAIN OF COMMAND
WHEN NOT TO USE EFFECTS
Live vs The Studio
The Vintage Advantage
A Final Note
How Did They That Sound?
My Favorite Effects
About the Author
Other editions - View all
acoustic Adrian Belew allows ambiance amplifier analog delays Andy Summers B.B. King band basic bass Bill Frisell blend body chords chorus chorus effect combo compression compressor create devices digital delays digital reverbs distortion Echoplex effects electric guitar Electro-Harmonix Eric Clapton feedback Fender fingerboard fingers flanging fret job fuzz gauge Gibson graphite guitar sound guitar tone guitarists Halen headstock hear high end humbucker input instrument intonation jazz Jeff Beck listen loops maple Marshall Metheney MIDI multi-effects neck noise offer original signal output pick pitch shifting players playing plugged power amp preamp rack rack units record Robben Ford rock guitar rosewood setup single coil single coil pickups solo speaker stereo Strat Stratocaster studio style sustain switch tape tarists tion tonal track tube amp tune tuners twelve string twelve string guitar vintage volume pedal wiring wood