What people are saying - Write a review
We haven't found any reviews in the usual places.
admirable aisles Annunciation architecture artistic beautiful Beneath Boulevard building carved cathedral Catherine centre characteristic chimneypiece choir Christ church of St classical Cluny colour Compare contains cross crown of thorns Crucifixion decorative Denis Diane de Poitiers door early erected examine example exquisite facade ficole fifteenth figures Flemish Florence Florentine France Francois Ier Frankish French Renaissance frescoes Genevieve Germain Gothic Holy Italian kings Lady later Lionardo Louis XIV Louvre Madonna and Child Magdalen Magi Mantegna Mantua Marie martyrdom mediaeval modern MUSEE DE CLUNY nave Notice Notre-Dame nude Observe painted painter Palace Palais de Justice Paolo Veronese Paris patron saint Pavillon Perugino Peter picture portrait quaint Raphael relics relief Renais representing right and left Roman Room Sainte Chapelle Salle des Primitifs sance scenes sculpture seventeenth century shrine sixteenth century Stephen style symbols teenth century Thermes tier tion Titian towers town transept treatment tympanum Venetian Virgin Wall ware
Page ix - I desire rather to supply the tourist who wishes to use his travel as a means of culture with such historical and antiquarian information as will enable him to understand, and therefore to enjoy, the architecture, sculpture, painting, and minor arts of the towns he visits.
Page ix - My purpose is not to direct the stranger through the streets and squares of an unknown town towards the buildings or sights which he may desire to visit ; still less is it my design to give him practical information about hotels, cab fares, omnibuses, tramways, and other every-day material conveniences. For such details, the traveller must still have recourse to the trusty pages of his Baedeker, his Joanne, or his Murray.
Page 54 - Paris." The abbots, however, seldom visited Paris, and they frequently placed their town house accordingly at the disposition of the kings of France. Mary of England, sister of Henry VIII., and widow of Louis XII., occupied it thus in 1515, soon after its completion. It was usual for the queens of France to wear white as mourning; hence her apartment is still known as the "Chambre de la reine blanche.
Page 25 - ... de Harlay forms the westernmost end of the original He de la Cite. The prow-shaped extremity of the modern island has been artificially produced by embanking the sites of two or three minor islets. The Palace Dauphine, which occupies the greater part of this modern extension, was 29 built in 1608; it still affords a characteristic example of the domestic Paris of the period before Baron Haussmann.
Page 19 - Genevieve, warned of God, addressed the people, begging them not to leave their homes, and assuring them of the miraculous protection of heaven. And indeed, as it turned out, the barbarians, without any obvious reason, changed their line of march, and avoided Paris. Again, when Childeric, the father of Clovis, invested the city, the people suffered greatly from sickness and famine. Then...
Page 30 - ... Virgin; on the extreme right, Sainte Genevieve. This scene of the Last Judgment was adapted with a few alterations from that above the central west door of Notre Dame, the Crown of Thorns in particular being here significantly substituted for the three nails and spear. The small lozenge reliefs to right and left of the portal are also interesting. Those to the left represent in a very naive manner God the Father creating the world, sun and moon, light, plants, animals, man, etc. Those to the...
Page 12 - The modern city owes its special development as a town, first to its Roman conquerors, then to its bridges, next to its mediaeval counts, last of all to the series of special accidents by which those counts developed at last into kings of the nascent kingdom of France, and inheritors of the traditions of the Frankish sovereigns.
Page 31 - Genesis, Cain and Abel, the Flood, the Ark, Noah's Sacrifice, Noah's Vine, etc., the subjects of all which the visitor can easily recognize, and is strongly recommended to identify for himself. The interior consists almost entirely of large and lofty windows, with magnificent stained glass, in large part ancient. The piers which divide the windows and alone support the graceful vault of the roof, are provided with statues of the twelve apostles, a few of them original. Each bears his well-known symbol....
Page 120 - This is one of the noblest portions of the entire building. The N here gives place to H's, and the Renaissance scroll-work and reliefs almost equal those in that portion of the old Louvre which was erected under Francois I.
Page x - ... sculpture, painting, and minor arts of the towns he visits. In one word, it is my object to give the reader in a very compendious form the result of all those inquiries which have naturally suggested themselves to my own mind during thirty-five years of foreign travel, the solution of which has cost myself a good deal of research, thought, and labour, beyond the facts which I could find in the ordinary handbooks.