Salomé

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Valdemar, 2004 - Drama - 128 pages
Obra de teatro maldita y prohibida, como su autor, que tuvo noticia de su estreno en Francia cuando estaba preso en la cárcel de Reading, y que nunca llegó a verla sobre un escenario, Salomé recoge el mito del personaje bíblico que pide a Herodes la cabeza de Juan Bautista sobre una bandeja. Pero Oscar Wilde va más allá de lo que lo habían hecho los pintores y poetas desde el Renacimiento: la convierte en símbolo del mal, y une su nombre a la lista de mujeres que, por sus deseos turbios y por su lujuria, condenaba la historia: desde Eva hasta Helena de Troya, la reina de Saba, Cleopatra, Lucrecia Borgia, María Estuardo... Transgresora de leyes bíblicas, Salomé simboliza sobre los escenarios la violación de lo sagrado, una lubricidad ardiente, una inocencia astuta y desconcertante que la convertirían en una de las interpretaciones femeninas más fuertes de la historia de la literatura. Por eso no pudo presentarse libremente en los escenarios ingleses hasta más de medio siglo después de la muerte de Wilde.

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About the author (2004)

Flamboyant man-about-town, Oscar Wilde had a reputation that preceded him, especially in his early career. He was born to a middle-class Irish family (his father was a surgeon) and was trained as a scholarship boy at Trinity College, Dublin. He subsequently won a scholarship to Magdalen College, Oxford, where he was heavily influenced by John Ruskin and Walter Pater, whose aestheticism was taken to its radical extreme in Wilde's work. By 1879 he was already known as a wit and a dandy; soon after, in fact, he was satirized in Gilbert and Sullivan's Patience. Largely on the strength of his public persona, Wilde undertook a lecture tour to the United States in 1882, where he saw his play Vera open---unsuccessfully---in New York. His first published volume, Poems, which met with some degree of approbation, appeared at this time. In 1884 he married Constance Lloyd, the daughter of an Irish lawyer, and within two years they had two sons. During this period he wrote, among others, The Picture of Dorian Gray (1891), his only novel, which scandalized many readers and was widely denounced as immoral. Wilde simultaneously dismissed and encouraged such criticism with his statement in the preface, "There is no such thing as a moral or an immoral book. Books are well written or badly written. That is all." In 1891 Wilde published A House of Pomegranates, a collection of fantasy tales, and in 1892 gained commercial and critical success with his play, Lady Windermere's Fan He followed this comedy with A Woman of No Importance (1893), An Ideal Husband (1895), and his most famous play, The Importance of Being Earnest (1895). During this period he also wrote Salome, in French, but was unable to obtain a license for it in England. Performed in Paris in 1896, the play was translated and published in England in 1894 by Lord Alfred Douglas and was illustrated by Aubrey Beardsley. Lord Alfred was the son of the Marquess of Queensbury, who objected to his son's spending so much time with Wilde because of Wilde's flamboyant behavior and homosexual relationships. In 1895, after being publicly insulted by the marquess, Wilde brought an unsuccessful slander suit against the peer. The result of his inability to prove slander was his own trial on charges of sodomy, of which he was found guilty and sentenced to two years of hard labor. During his time in prison, he wrote a scathing rebuke to Lord Alfred, published in 1905 as De Profundis. In it he argues that his conduct was a result of his standing "in symbolic relations to the art and culture" of his time. After his release, Wilde left England for Paris, where he wrote what may be his most famous poem, The Ballad of Reading Gaol (1898), drawn from his prison experiences. Among his other notable writing is The Soul of Man under Socialism (1891), which argues for individualism and freedom of artistic expression. There has been a revived interest in Wilde's work; among the best recent volumes are Richard Ellmann's, Oscar Wilde and Regenia Gagnier's Idylls of the Marketplace, two works that vary widely in their critical assumptions and approach to Wilde but that offer rich insights into his complex character.

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