Northrop Frye: Anatomy of His Criticism |
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Page 203
... the possibilities of human life , both in oneself and for others , ' he concludes by applying his poetics to the goal of education , saying ' the basis of that power is the continuing vision of a continuing city ' ( ss 21 ) 203 Conclusion.
... the possibilities of human life , both in oneself and for others , ' he concludes by applying his poetics to the goal of education , saying ' the basis of that power is the continuing vision of a continuing city ' ( ss 21 ) 203 Conclusion.
Page 204
... continuing vision ' because it is constantly reshaped by imaginative writers but never fully realized in any literary work or by any reader's experience of it . Literature as a whole becomes an aspect of that ' total form ' when it is ...
... continuing vision ' because it is constantly reshaped by imaginative writers but never fully realized in any literary work or by any reader's experience of it . Literature as a whole becomes an aspect of that ' total form ' when it is ...
Page 204
... continuing vision ' because it is constantly reshaped by imaginative writers but never fully realized in any literary work or by any reader's experience of it . Literature as a whole becomes an aspect of that ' total form ' when it is ...
... continuing vision ' because it is constantly reshaped by imaginative writers but never fully realized in any literary work or by any reader's experience of it . Literature as a whole becomes an aspect of that ' total form ' when it is ...
Contents
Frye Criticism | 3 |
Four Polemical Suggestions | 13 |
Fryes Earlier Writings | 35 |
Copyright | |
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anagogic phase analogy Anatomy of Criticism apocalyptic archetypal criticism argument Aristotle become Bible Blake called Cambridge Cleanth Brooks comedy comic concept concerns contemporary context cosmology creative critical theory culture displaced earlier encyclopaedic English literature English studies experience expressed F.R. Leavis fictional modes framework Frank Lentricchia Frye's criticism genre hero historical criticism human I.A. Richards identity imaginative imitation irony kind language literal literary criticism literary history London low mimetic lyric M.H. Abrams metaphor mimetic modern modes in Essay myth mythical mythos nature NFMC Northrop Frye order of words perspective phase of meaning poem poet poetic poetry polemical prose reader reading relation René Wellek response reveals rhetorical rhythm romance satire says Secular Scripture sense Shakespeare's society statement study of literature T.S. Eliot thematic modes tion Toronto tradition tragedy treated University Press value-judgments verbal vision W.K. Wimsatt Well-Tempered Critic Wellek