Leaving Lines of Gender: A Feminist Genealogy of Language Writing

Front Cover
Wesleyan University Press, 2000 - Language Arts & Disciplines - 354 pages
Ann Vickery explores the cultural politics of gender and community in the formation of Language writing. Contesting those increasingly normative accounts which seek to contain Language writing within familiar narratives of literary history, she draws on recent and hitherto unpublished archival material as well as interviews with the writers themselves. In a series of detailed readings and case studies, she investigates how gendered identities are made and consolidated through cultural practice and textual production. Accordingly, literary analysis is combined with an exploration of paratextual processes such as publishing, editing, theorizing, public readings, and talk series. Vickery further shows how Language writers tried to refigure authorship through processes such as collaboration, textual borrowing, clairvoyance, and counsel. The case studies include the works of Lyn Hejinian, Susan Howe, Tina Darragh, Joan Retallack, Hannah Weiner, Bernadette Mayer, Rae Armantrout, and Fanny Howe, as well as the formative stages of the journals L=A=N=G=U=A=G=E and HOW(ever), Lyn Hejinian's Tuumba Press, and Susan Howe's radio program "Poetry."
 

Contents

Circling Out of Equivalence
21
Poetic Fields and the Painted Birds of Language Writing
37
Feminisms Ruptured Vocabulary
50
Tuumba Press
63
Radio and Susan Howes Poetry Program
77
HOW ever
88
The Role of Theory ΙΟΙ
101
Analyzing the Anthology
134
The ShadowShow
179
Cutting Corners in Tina Darraghs American Pi
191
Attention and Alterity in the Poetry of Rae Armantrout
217
From Lyn Hejinians
233
Moving beyond the Language Maps
249
Archives and Resources
263
Works Cited
311
Index
333

The Pathography of Bernadette Mayer
150
Joan Retallacks Afterrimages
167

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