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AIMS AND OBJECTIVES
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according addition ammonium carbonate analyses Antiquity applied architectural areas artistic Augustan period Augustus Barbet beeswax binder building carbon century chemical chemical-technical cinnabar cleaning colours composition consequently conservation interventions context cultural decay described documentation Domus Aurea encaustic painting excavated facade Fayum portraits fragments ganosis Greek heated ICUG imaginarius important indicating Infrared spectrometry investigation issues lime Ling marble melted methods mixture modern motifs mural paintings Nationalmuseum natron natural beeswax objects ochre Opificio original paint layer painter painting techniques panels Personal communication pigments plaster layers Pliny polyment Pompeian Pompeian styles Pompeii Porta possible preparation presented problems Punic wax reconstruction remains restoration Roman murals Roman wall paintings Rome salt samples saponified Second style statues stone stucco stucco layers surface coating surface protective Swedish tempera term tested Third style tion tradition various Villa of Livia Villa San Michele Vitruvius wall decorations Wallace-Hadrill wax paint yellow