Early Greek Portraiture

Front Cover
Cambridge University Press, May 3, 2017 - Art - 309 pages
In this book, Catherine M. Keesling lends new insight into the origins of civic honorific portraits that emerged at the end of the fifth century BC in ancient Greece. Surveying the subjects, motives and display contexts of Archaic and Classical portrait sculpture, she demonstrates that the phenomenon of portrait representation in Greek culture is complex and without a single, unifying history. Bringing a multi-disciplinary approach to the topic, Keesling grounds her study in contemporary texts such as Herodotus' Histories and situates portrait representation within the context of contemporary debates about the nature of arete (excellence), the value of historical commemoration and the relationship between the human individual and the gods and heroes. She argues that often the goal of Classical portraiture was to link the individual to divine or heroic models. Offering an overview of the role of portraits in Archaic and Classical Greece, her study includes local histories of the development of Greek portraiture in sanctuaries such as Olympia, Delphi and the Athenian Acropolis.
 

Contents

Equivocal Texts Equivocal Images
3
Chapter Outline
13
FROM VOTIVE STATUES TO HONORIFIC PORTRAITS
19
CONTENTS
40
ARETE HEROISM AND DIVINE CHOICE IN EARLY
53
PORTRAITS IN GREEK SANCTUARIES
81
DOCUMENTING ARCHAIC AND CLASSICAL GREEK HISTORY
151
EARLY GREEK PORTRAITS UNDER ROMAN
182
THE LIMITS OF REPRESENTATION
217
Portrait Statues at Delphi ca 600300 BC
227
Selected Bibliography
279
Index
296
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About the author (2017)

Catherine M. Keesling is Associate Professor of Classics at Georgetown University. She is the author of The Votive Statues of the Athenian Acropolis (Cambridge, 2003), as well as journal articles and book chapters on Greek sculpture of the Archaic and Classical periods and its reception, Greek epigraphy and commemorative monuments.

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