Hindusthāni Music: An Outline of Its Physics and Aesthetics |
Contents
CHAPTER | 1 |
Music and from FolkMusic to | 39 |
The Unities of Indian Music | 56 |
Copyright | |
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Common terms and phrases
accompaniment æsthetic Alāpa Alāpās ancient artistic belong Bharat C₁ chapter character chords chosen classical music consonances and dissonances consonant or dissonant degree Dhrupada difference notes drone emotional appeal employ F₁ Folk-music folk-songs form of musical Frequency fundamental note further G-type G₁ give given glide harmonic series harmonic upper partials hence Ichalkaranji individual instruments intervals Jāties Khyal laws major Fifth major Third Mātrās means melody mode mood musical composition nature Natya Shastra notation Octave Odawa otherhand particular performer pitch poetic theme poetry practice prime note principle prominence Pundit Rāga Raga-scale Raga-system Rāgās Rasās recitation relation relationship rhythm Shārangdev Shrutees Shuddha scale simple sonances song string stringed instruments summation notes sung syllables systems of music Tāna Tānās Tappā tetrachords Thumri time-measure tion tonality tone tonic tonic note tuning Unity of Indian Vādi variations vibration vocal voice vowel words राम रे सा सारे ऽ ऽ