The Century of Artists' BooksThe Century of Artists' Books is the first full-length study of the development of artists' books as a twentieth century art-form. This work situates artists' books within the context of mainstream developments in the visual arts from Russian Futurism and Surrealism to Fluxus, Conceptual Art, to Postmodernism. Designed to raise critical and theoretical issues as well as provide a historical overview, this book explores more than two hundred individual books in relation to their structure, form, and conceptualization. Topics include the discussion of the poetics of the book, the book as a metaphor, the conceptual space of the book, and books as narrative and non-narrative sequences. Each chapter uses these specific issues to examine the works of well-known book artists and publishers. The book provides a foundation for future work in the history and critical interpretation of artists' books, as well as offering a structure for teaching artists' books to practitioners, collectors, and curators. |
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Page 101
... material qualities of an original . Only a unique work could assemble an authentic archive out of original materials and present it . Any editioned work , as in the case of Boltanksi and Pecanins , is a replication . - This archival ...
... material qualities of an original . Only a unique work could assemble an authentic archive out of original materials and present it . Any editioned work , as in the case of Boltanksi and Pecanins , is a replication . - This archival ...
Page 121
... material and conceptual ele- ments . While there are other forms which books take , the most common , versatile , and frequently manipulated is the codex form . Made from a set of bound leaves or pages , the codex is a very restrained ...
... material and conceptual ele- ments . While there are other forms which books take , the most common , versatile , and frequently manipulated is the codex form . Made from a set of bound leaves or pages , the codex is a very restrained ...
Page 359
... material , and conceptual terms as well as the way they engage with the production of meaning . To a great extent , the material constraints of the codex ( its fixed sequence and bounded- ness ) are parameters which are observed - but ...
... material , and conceptual terms as well as the way they engage with the production of meaning . To a great extent , the material constraints of the codex ( its fixed sequence and bounded- ness ) are parameters which are observed - but ...
Contents
The Artists Book as Idea and Form | 1 |
Precedents Poetics and Philosophy | 21 |
Artists Books the Early 20thCentury AvantGarde | 45 |
Copyright | |
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activity aesthetic appear artist's book artists aspect becomes binding book form bound century changes character codex collection color complex conceptual contains continuity contrast conventions cover cultural developed discussed document drawing early edge edition effect elements established example exhibition existence experience expression face field figure final folded format function gives graphic hand highly idea identity images individual instance interest language letters limited literal look marks material means move movement narrative objects offset opening original painting particularly pattern performance photographic physical piece play possible presentation Press printed produced publication published reading record reference relation reproduction sense sequence serves sheet shows side single space specific story structure Studies takes tion transformation turn various vision visual whole writing