Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925Fashion reveals not only who we are, but whom we aspire to be. From 1775 to 1925, artists in Europe were especially attuned to the gaps between appearance and reality, participating in and often critiquing the making of the self and the image. Reading their portrayals of modern life with an eye to fashion and dress reveals a world of complex calculations and subtle signals. Extensively illustrated, Fashion in European Art explores the significance of historical dress over this period of upheaval, as well as the lived experience of dress and its representation. Drawing on visual sources that extend from paintings and photographs to fashion plates, caricatures and advertisements, the expert contributors consider how artists and their sitters engaged with the fashion and culture of their times. They explore the politics of dress, its inspirations and the reactions it provoked, as well as the many meanings of fashion in European art, revealing its importance in understanding modernity itself. |
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Contents
Parures Pashminas and Portraiture or | |
Temporalities of Costume and Fashion in Art of | |
Rossettis Erotics of | |
The Art and Politics of Dress after | |
Mannequin and Monkey in Seurats Grande Jatte | |
Issues of Masculine | |
Silencing Fashion in Early TwentiethCentury | |
Mens | |
Contributors | |
Selected Bibliography | |
Other editions - View all
Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925 Justine De Young No preview available - 2019 |
Fashion in European Art: Dress and Identity, Politics and the Body, 1775-1925 Justine De Young No preview available - 2017 |
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accessories aesthetic appearance argued artistic associated authority become body British called Cambridge Carpenter Charles classical clothing collection Commune contemporary conventional costume critics culture depicted described Devéria discourses discussion display dress early Empire English essay example exhibition expression fashion female feminine figures France French gender George History ideal identity illustrated images imitation important Jatte Joséphine Journal living London look male mannequin masculine material meaning men’s Mode models modern movement Museum nature neoclassical nineteenth century noted objects Oil on canvas painting Paris Parisian performance period picture plates political portrait portraiture pose practice present prints production published Räderscheidt’s reform representation represented role Rossetti Salon sartorial seen sense Seurat sexual social space style subjects suffrage suffragettes suggest suit symbol taste University Press Victorian visual Visual Culture wearing woman women York Young