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accented allowed avoided Bass C-position chord cadence Canti Cantus Firmus CHAPTER complete chord Concealed Fifths Concealed octaves consecutive fifths consecutive measures contrary motion Coun Counterpoint written cross diminished fifth dissonant tone doubled Ebenezer Prout errors Fifth Species Fifths and Octaves fifths or octaves Four-Part Counterpoint Fourth Species Free Counterpoint given half note intended as models large number last measure last note leading tone leap lowest major melody minor mode minor second minor sixth Music number of exercises occur octaves are forbidden ornamental resolutions Parallel Fifths parallel motion passing tone Pedal Point perfect concord perfect fifth Piano Compositions possible Principle of Clearness Principle of Variety quarter notes repetition scale second half Second Species seventh Songs Soprano Species of Counterpoint Strict Counterpoint student should write suspension Tenor terpoint Third Species THREE-PART COUNTERPOINT three-part writing tritone tus Firmus TWO-PART COUNTERPOINT upper voices whole notes
Page 151 - Percy, Mus. Doc. Lessons in music form: a manual of analysis of all the structural factors and designs employed in musical composition. Boston, Mass., Oliver Ditson Company.
Page 151 - EAR TRAINING FOR TEACHER AND PUPIL. CA Alchin. Designed to teach the pupil to think in tones, and so to sing, name, write, and play what he hears 1.00 HARMONY SIMPLIFIED.
Page 151 - MUSIC CLUB PROGRAMS FROM ALL NATIONS. Arthur Elson. Outlines the various schools from all nations with a rich series of programs, and over one hundred portraits 1*25 Send for Complete List, containing Piano, Voice, and Violin Volumes NOTE.
Page 151 - HARMONY. Sir John Stainer, Mus. Doc. New edition of a standard text-book which presents the principles of harmony with conciseness and lucidity .75 HARMONIC ANALYSIS.
Page 151 - AND COUNTERPOINT Ear Training for Teacher and Pupil. CA Alchin. Designed to teach the pupil to think in tones, and so to sing, name, write, and play what he hears 1 50 A Intervals, Chords, and Ear Training.
Page 150 - Volumes, excepting those starred, are issued in editions for High and Low Voice. Price of each volume, paper, cloth back, $1.50; full cloth, gilt, $2.50. Prices include postage.
Page 151 - COUNTERPOINT. Dr. J. Frederick Bridge. This book has freshness and plainness combined with thoroughness, and must commend itself to young students and teachers...
Page 27 - The progression at (c) is not incorrect ; but in the third species of counterpoint two chords in a bar seldom produce a good effect, and are, moreover, hardly ever necessary. 203. As in the first and second species, the first note of the counterpoint, that is, the note sounded together with the subject, must be a concord. The license occasionally permitted in the second species (§ 168), of taking a passing note by step against a note of the subject, is not allowed here, because there is not the...