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The Body as an Instrument of Expression
Listen Les Sylphides
Love Awakened Swan Lake Act II
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1st form 2nd form 2nd position action allow arm through 2nd arm through demi-seconde arm upwards artist back of hand backwards ballet Bend forearm upwards breast character or demi-character chin choregrapher classical mime comic Commedia dell'Arte conventional gesture Coppelia Dame Ninette dance dancer Dante Sonata diagonally Draw hands elbow eyes feet fingertips foot forehead Frederick Ashton front Giselle Gorboduc hand faces Harlequin head index finger inwards John Weaver knee Leitmotivs Margot Fonteyn middle finger mime-play mouth move movement natural emotional expression Ninette de Valois outwards palm of hand palms facing palms facing audience passages pauses performed Petrushka play players port de bras Prince in Swan Raise both arms Raise both hands Raise one arm raised hand Rake's Rake's Progress rhythm role round scene shoulder level sideways Sleeping Beauty slightly stage Swan Lake sweeping sword tempo theatre thumb touch turn usually walk words wrist