Africa in History: Themes and Outlines

Front Cover
Collier Books, 1991 - History - 425 pages
Prior to the original publication of "Africa in History", the history and development of Africa had been measured by the European concept of "civilization", applying a Eurocentric approach to African art and literature. Basil Davidson's landmark work presents the inner growth of Africa and its worldwide significance, the internal dynamic of its old civilizations and their links with Asia, Europe and America, as well as the development of specific areas, tribes and cultures. From accounts of the days of the green Sahara and the great iron age, the earliest Portuguese colonization, the coming of slavery and the subsequent legacy of violence and mistrust, the growth of Islam in the north and the cults of the Congo, the sophistication of art and architecture, and the pattern behind social and tribal mores, the entire picture of the continent emerges. This revised edition reflects the recent astonishing changes in South Africa, including the release of Nelson Mandela. Copyright © Libri GmbH. All rights reserved.

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Contents

New Truths
1
An Iron Age Begins
18
Ancient Glories
25
Copyright

25 other sections not shown

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About the author (1991)

Basil Risbridger Davidson began his journalistic career as a member of the editorial staff of The Economist in 1938. That assignment was interrupted by World War II, during which Davidson served in the British army with distinction, receiving the Military Cross, the U.S. Bronze Star, and the Jugoslav Zasluge za Narod for his service in the Balkans, North Africa, and Italy. After being demobilized from the service, Davidson returned to journalism, first as the diplomatic correspondent of The Star and then as the Paris correspondent of The Times. He went on to become chief foreign lead writer and then special correspondent for the New Statesman, special correspondent for the Daily Herald, and lead writer for the Daily Mirror. As a journalist he published numerous works of fiction including Highway Forty (1949), Golden Horn (1952), The Rapids (1955), Lindy (1958), and The Andrassy Affair (1966) His nonfiction work includes Partisan Picture (1946), Germany from Potsdam to Partition (1948), and Daybreak in China (1953). Most of these were the outcome of his wartime experiences and subsequent career in journalism. During these years Davidson took an increasing interest in the African past. This interest brought him to the University of Ghana as a visiting professor in 1964 and as professor in 1965. Since that time he has devoted himself to the discovery of that history. He published his first work on Africa, Report on Southern Africa, in 1952. A host of other publications followed. His work has been characterized not only by his sympathy for Africa and for the Africans but also by the explication of the African past with a combination of the thoroughness of an investigative reporter and a style that has made his books popular with a large international audience. Although some of Davidson's earlier conclusions have been revised by later scholarly research, this in no way has diminished his influence on giving legitimacy to the history of Africa. His readable elucidation of African history has brought him many honors and awards over the years. His most effective exposition of the African past, however, may have been as author and narrator of a popular eight-part television documentary of Africa's history that aired in 1984. His most reflective thoughts on his research and writing on the African past may be found in his latest book, The Black Man's Burden: Africa and the Curse of the Nation State (1992).

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