The Song CycleThe song cycle was one of the most important musical genres of the nineteenth century. Famous examples by Schubert, Schumann and Mahler have received a great deal of attention. Yet many other cycles - by equally famous composers, from the nineteenth and twentieth centuries - have not. The Song Cycle introduces key concepts and a broad repertoire by tracing a history of the genre from Beethoven through to the present day. It explores how song cycles reflect the world around them and how national traditions and social relationships are represented in composers' choice of texts and musical styles. Tunbridge investigates how other types of music have influenced the scope of the song cycle, from operas and symphonies to popular song. A lively and engaging guide to this important topic, the book outlines how performance practices, from concert customs to new recording technologies, have changed the way we listen. |
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Contents
Concepts | 1 |
Sommermorgen One Bright Summer Morning Its an | 12 |
Wanderers and balladeers | 23 |
Organ Grinder There beyond the village An organgrinder | 36 |
the long nineteenth century | 40 |
Gendered voices | 50 |
mir den ersten Schmerz getan Now you Have Caused me | 52 |
the orchestral song cycle | 64 |
Modern subjects | 112 |
The death of the song cycle | 123 |
the twentieth century | 144 |
the late twentieth century | 153 |
pop song cycles | 169 |
Notes | 187 |
| 213 | |
| 218 | |
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Common terms and phrases
accompaniment Arnold Schoenberg audience Beach Boys Beatles Book ofLieder Brahms Britten Buch der h¨angenden Cambridge University Press Chapter composers concept album cycle’s Debussy defined Dichterliebe Dietrich Fischer-Dieskau Example Faur´e figure final song find first first song Fischer-Dieskau five Francis Poulenc Frauenliebe und leben French genre Gerhardt German h¨angenden G¨arten harmonic heard Hindemith influence instrumental Langsam Lieder listeners London M¨uller Mahler Marienleben Massenet melody Modest Musorgsky musicians Musorgsky narrative nineteenth century opera orchestral song Othmar Schoeck performance perhaps Pet Sounds piano Pierrot lunaire played Po`eme poems poet poetic popular music postlude Poulenc Ravel recitals recording reflected rhythms Richard Strauss rock Russian sch¨one M¨ullerin Schoeck Schoenberg Schubert Schumann seems sense significant singer singing solo song cycle sound Sprechstimme Stockhausen Stokes studio style sung symphonies Szymanowski tempo texts themes tonal tracks tradition Trans Tristan twentieth century Vienna vocal writing voice Wagner What’s whole-tone Winterreise words
Bibliographic information
| Title | The Song Cycle Cambridge Introductions to Music |
| Authors | Laura Tunbridge, Senior Lecturer in Music Analysis and Critical Theory Laura Tunbridge |
| Edition | illustrated |
| Publisher | Cambridge University Press, 2010 |
| ISBN | 0521896444, 9780521896443 |
| Length | 230 pages |
| Subjects | › › Music / General Music / Genres & Styles / Classical Music / History & Criticism Music / Instruction & Study / Theory |
| Export Citation | BiBTeX EndNote RefMan |