Cinema and the Spectacle of Colonialism: American Documentary Film and (post) Colonial Philippines, 1898-1989, Volume 1Northwestern University, 2002 - Documentary films |
Common terms and phrases
actual Aguinaldo Alpert American Archives audience authority battle beginning body calls camera chapter cinema claims colonial Communist continued corpus corresponding critical cultural described desire discourse discussion documentary effect empire encounter enemy engaged event experience expressed fact figure Filipino film film's filmmaking force foreign former frame give History Home images imagination imperialist instance interesting interview Islands issue Karnow kind later live look Manila Marcos military motion picture narration narrative native nonfiction object offered official past performance Philippines political position postcolonial practice present President produced question Quezon City reality regime relation relationship representations represents resistance rhetoric scene sense shot shows social soldiers speak spectacle spectators stage Stanley Karnow subjects suggests Third World United University Press vision Worcester writing York