American Art Since 1900: A Critical HistoryThe history of American art in the twentieth century is one of revolt, of conflict. It is the story of the American artist's attempt to free himself from European models yet at the same time join the mainstream of Western art. . . . Miss Rose traces the evolution of American art within the context of social, historical, and intellectual events. |
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Page 22
... exhibition to be financed by the artists themselves . An opportunity soon presented itself when William Macbeth , a friend of Davies , offered them exhibition space in his gallery , then the only one in New York that showed con ...
... exhibition to be financed by the artists themselves . An opportunity soon presented itself when William Macbeth , a friend of Davies , offered them exhibition space in his gallery , then the only one in New York that showed con ...
Page 36
... exhibition of Negro sculpture . Among the American painters he introduced were Alfred Maurer and John Marin ( 1909 ) ; Marsden Hartley , Max Weber , Arthur Dove , and Arthur B. Carles ( in a group show in 1910 ) ; Abraham Walkowitz ...
... exhibition of Negro sculpture . Among the American painters he introduced were Alfred Maurer and John Marin ( 1909 ) ; Marsden Hartley , Max Weber , Arthur Dove , and Arthur B. Carles ( in a group show in 1910 ) ; Abraham Walkowitz ...
Page 70
... exhibition , the second Graf- ton show , from which a number of works went directly to the Armory Show , provided Kuhn and Davies with a model of an historical survey on which to base their exhibition . Ready to outdo Fry , Kuhn wrote ...
... exhibition , the second Graf- ton show , from which a number of works went directly to the Armory Show , provided Kuhn and Davies with a model of an historical survey on which to base their exhibition . Ready to outdo Fry , Kuhn wrote ...
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abstract art Abstract Artists Abstract Expressionism Abstract Expressionists Academy aesthetic Alfred Stieglitz all-over American art American artists American painting American Scene American Scene painters architects architecture Armory Show ARSHILE GORKY Arthur avant-garde Bauhaus became Benton Building canvas Cézanne Chicago collage Collection The Museum Collection Whitney Museum composition contemporary critics Cubist Dada Demuth Duchamp European exhibition fifties figure forms Gallery geometric George Gift Glackens Gorky's Gottlieb Guggenheim Henri Hopper images John John Marin Joseph Stella Kooning Kooning's Kuhn Lachaise landscapes Leo Castelli Luks Macdonald-Wright Marin Marsden Hartley Matisse Metropolitan Museum Modern Art modernists Mondrian Motherwell movement Museum of Ameri Museum of Art Museum of Modern Newman O'Keeffe painterly painters Paris Photograph Geoffrey Clements Picasso pictorial planes Pollock pop art Precisionists Rauschenberg realists Robert Rothko sculpture shapes Sheeler Shinn Sloan space structure Stuart Davis studies surface Surrealism Surrealist symbols Synchromism technique themes tradition Untitled Walkowitz Weber William York Photograph