American Art Since 1900: A Critical HistoryThe history of American art in the twentieth century is one of revolt, of conflict. It is the story of the American artist's attempt to free himself from European models yet at the same time join the mainstream of Western art. . . . Miss Rose traces the evolution of American art within the context of social, historical, and intellectual events. |
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Page 38
... modernism in any form , fled to where the air was already free . Some , like T. S. Eliot , exiled themselves ... modernists at 291. Included were paintings by Dove , Marin , Maurer , and Weber . A review in Camera Work castigated ...
... modernism in any form , fled to where the air was already free . Some , like T. S. Eliot , exiled themselves ... modernists at 291. Included were paintings by Dove , Marin , Maurer , and Weber . A review in Camera Work castigated ...
Page 65
... modernists was taken over by Edith Gregor Halpert of the Downtown Gallery , who continued to show the artists . Stieglitz had supported along with younger American modernists . Stieglitz did not exaggerate when he proclaimed that 291 ...
... modernists was taken over by Edith Gregor Halpert of the Downtown Gallery , who continued to show the artists . Stieglitz had supported along with younger American modernists . Stieglitz did not exaggerate when he proclaimed that 291 ...
Page 87
... modernist attitude , usually did so on an emotional , intuitive basis . Significantly , the most intellectual phase of Cubism , its formative analytic period , made little discernible impression on American artists ... modernists pre-
... modernist attitude , usually did so on an emotional , intuitive basis . Significantly , the most intellectual phase of Cubism , its formative analytic period , made little discernible impression on American artists ... modernists pre-
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abstract art Abstract Artists Abstract Expressionism Abstract Expressionists Academy aesthetic Alfred Stieglitz all-over American art American artists American painting American Scene American Scene painters architects architecture Armory Show ARSHILE GORKY Arthur avant-garde Bauhaus became Benton Building canvas Cézanne Chicago collage Collection The Museum Collection Whitney Museum composition contemporary critics Cubist Dada Demuth Duchamp European exhibition fifties figure forms Gallery geometric George Gift Glackens Gorky's Gottlieb Guggenheim Henri Hopper images John John Marin Joseph Stella Kooning Kooning's Kuhn Lachaise landscapes Leo Castelli Luks Macdonald-Wright Marin Marsden Hartley Matisse Metropolitan Museum Modern Art modernists Mondrian Motherwell movement Museum of Ameri Museum of Art Museum of Modern Newman O'Keeffe painterly painters Paris Photograph Geoffrey Clements Picasso pictorial planes Pollock pop art Precisionists Rauschenberg realists Robert Rothko sculpture shapes Sheeler Shinn Sloan space structure Stuart Davis studies surface Surrealism Surrealist symbols Synchromism technique themes tradition Untitled Walkowitz Weber William York Photograph