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actions we call Adam Amelia Anna Karenina Arnold Bennett art of narrative Becky chapter characterisation characters Charlotte Bronte Clarissa coach colour course Dalloway describe George dialogue Dick Dorothy Richardson Egoist employs English fiction example feelings and thoughts fiction criticism fiction narrative film George Eliot George's face girl give glides hear Hetty Hetty's imaginary world important impression interest James Joyce Jane Austen Jane Eyre Joseph journey loneliness metaphor method Middlemarch Miss Pinkerton Moll Flanders narrative summary novel novelist rolls passage past history Percy Lubbock PHYLLIS BENTLEY played over George's power of presenting Pride and Prejudice reader Rebecca retrospective summary scene and summary scope sculptor Sedley sentence smile specific action specific moments story stream of consciousness subtle summary and scene summary occurs swiftly talk technique tells tennis Thackeray told trees triumph played truth type of narrative Vanity Fair Virginia Woolf visible actions wall writer