The Romantic Crowd: Sympathy, Controversy and Print Culture

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Cambridge University Press, Jan 17, 2013 - Literary Criticism - 294 pages
In the long eighteenth century, sympathy was understood not just as an emotional bond, but also as a physiological force, through which disruption in one part of the body produces instantaneous disruption in another. Building on this theory, Romantic writers explored sympathy as a disruptive social phenomenon, which functioned to spread disorder between individuals and even across nations like a 'contagion'. It thus accounted for the instinctive behaviour of people swept up in a crowd. During this era sympathy assumed a controversial political significance, as it came to be associated with both riotous political protest and the diffusion of information through the press. Mary Fairclough reads Edmund Burke, Mary Wollstonecraft, William Godwin, John Thelwall, William Hazlitt and Thomas De Quincey alongside contemporary political, medical and philosophical discourse. Many of their central questions about crowd behaviour still remain to be answered by the modern discourse of collective psychology.
 

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Contents

collective sympathy I
19
Sympathetic communication and the French Revolution
59
sympathy and the Romantic crowd
226
Bibliography
266
Index
288
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About the author (2013)

Mary Fairclough is a Lecturer in English Literature at the Centre for Eighteenth Century Studies and the Department of English and Related Literature at the University of York.

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