Between Theater and Anthropology

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University of Pennsylvania Press, Aug 3, 2010 - Drama - 360 pages
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In performances by Euro-Americans, Afro-Americans, Native Americans, and Asians, Richard Schechner has examined carefully the details of performative behavior and has developed models of the performance process useful not only to persons in the arts but to anthropologists, play theorists, and others fascinated (but perhaps terrified) by the multichannel realities of the postmodern world.

Schechner argues that in failing to see the structure of the whole theatrical process, anthropologists in particular have neglected close analogies between performance behavior and ritual. The way performances are created—in training, workshops, and rehearsals—is the key paradigm for social process.

 

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Contents

1 Points of Contact Between Anthropological and Theatrical Thought
3
2 Restoration of Behavior
35
3 Performers and Spectators Transported and Transformed
117
4 Ramlila of Ramnagar
151
5 Performer Training Interculturally
213
Looking Back on a 19791980 Production
261
7 News Sex and Performance Theory
295
References
325
Index
333
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About the author (2010)

Richard Schechner is University Professor and Professor of Performance Studies at Tisch School of the Arts, New York University. He is the founding director of The Performance Group and founding artistic director of East Coast Artists. He is also the author of The End of Humanism, Performance Theory, and The Future of Ritual.

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