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achieved Acrylics action painting adhesive advisable applied Batsford blade canvas cartridge paper chalk charcoal clay clean collage colour mixed colour wash create Cut card Decalcomania drawing emulsion paint example fabric felt tip pens frottage glass glue hand pressure hardboard impasto Kurt Schwitters layers light lino cutting liquid tempera colour London marks materials Max Ernst MONOPRINTS mosaic Newclay off-cuts oil colours opaque colour painting knife painting media painting surface palette paper or card pastels pen and ink pencil Photograms picture ground picture surface pieces placed plastic polystyrene possible poster powder colours pressed printing ink Printmaking pva binder relief roller rubbings sellotape sgraffito shapes sheet of newsprint sheet of paper sponge Spray painting Studio Vista sugar paper suitable Tate Gallery Technical Notes technique textural qualities thick thin tile tonal tone transparent underpainting varnish water colours wax crayon wet paper wood