Passing and the Fictions of Identity
Elaine K. Ginsberg, Donald E. Pease
Duke University Press, Apr 29, 1996 - Literary Criticism - 298 pages
Passing refers to the process whereby a person of one race, gender, nationality, or sexual orientation adopts the guise of another. Historically, this has often involved black slaves passing as white in order to gain their freedom. More generally, it has served as a way for women and people of color to access male or white privilege. In their examination of this practice of crossing boundaries, the contributors to this volume offer a unique perspective for studying the construction and meaning of personal and cultural identities.
These essays consider a wide range of texts and moments from colonial times to the present that raise significant questions about the political motivations inherent in the origins and maintenance of identity categories and boundaries. Through discussions of such literary works as Running a Thousand Miles for Freedom, The Autobiography of an Ex–Coloured Man, Uncle Tom’s Cabin, The Hidden Hand, Black Like Me, and Giovanni’s Room, the authors examine issues of power and privilege and ways in which passing might challenge the often rigid structures of identity politics. Their interrogation of the semiotics of behavior, dress, language, and the body itself contributes significantly to an understanding of national, racial, gender, and sexual identity in American literature and culture.
Contextualizing and building on the theoretical work of such scholars as Judith Butler, Diana Fuss, Marjorie Garber, and Henry Louis Gates Jr., Passing and the Fictions of Identity will be of value to students and scholars working in the areas of race, gender, and identity theory, as well as U.S. history and literature.
Contributors. Martha Cutter, Katharine Nicholson Ings, Samira Kawash, Adrian Piper, Valerie Rohy, Marion Rust, Julia Stern, Gayle Wald, Ellen M. Weinauer, Elizabeth Young
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The Politics of Passing
Speaking of Olaudah Equiano
Passing Possession and Transgression in Running a Thousand Miles for Freedom
The ReConstruction of Race
Passing for Black Passing for White
Passing as a Narrative and Textual Strategy in Nella Larsens Fiction
Blackness and the White Imagination
Spanish Masquerade and the Drama of Racial Identity in Uncle Toms Cabin
Uncovering The Hidden Hand
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African American antebellum argues authenticity Autobiography Baldwin becomes black and white blackface body Burgess Cap's Capitola character Civil Clare color Confederacy Confederate cross-dressing cultural desire difference discourse disguise dominant Ellen Craft Equiano escape essay Ex-Coloured experience face fact feel female femininity fiction figure gender George Harris George's Giovanni's Room Griffin Harris's Helga heterosexual homosexual identified Irene Irene's Judith Butler Larsen's lesbian literal male mark masculinity master metaphor Miles for Freedom miscegenation moral mother narrative narrator narrator's nation Negro Nella Larsen nineteenth-century nostalgia novel Olaudah Equiano passing for white passing novel person political privilege race passing racial identity racism reader relation reveals role Running a Thousand scene sense sentimental sexual skin slave slavery social South Southern Southworth Spanish masquerade status story Stowe Stowe's suggests symbolic tion Uncle Tom's Cabin Velazquez white supremacy white women wife Woman in Battle writes