Worlds of Music: An Introduction to the Music of the World's Peoples, Volume 1

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Cengage Learning, 2005 - Music - 346 pages
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This shorter version of the best-selling WORLDS OF MUSIC is based on the 4th edition and provides much of the authoritative coverage of the comprehensive version in a format that's accessible to students without any background or training in music. Using the case-study approach, the text presents in-depth explorations of music of several cultures from around the world. The authors all ethnomusicologists working in their fields of expertise base their discussions of music-cultures on their own fieldwork and give students a true sense of both the music and culture that created it. General editor, Jeff Todd Titon, has written the text's opening chapter, that introduces students to ethnomusicology and relates each chapter's music heard on the accompanying CDs to the fundamentals of music in a worldwide context. The text concludes with a chapter that invites students to participate by undertaking a fieldwork research project that increases a student's understanding of music in daily life. Two CDs accompany every copy of the book on the inside back cover. The selected recordings cover a wide range of music-cultures and include authentic recordings from the authors' fieldwork. Leading off is the long-standing jewel in the Worlds of Music crown - James Koetting's magnificent recording of postal workers canceling stamps at the University of Ghana post office. A Western-sounding hymn tune performed against African rhythms, this piece, more that any other, lets the student hear contrasting music-cultures. Packaged with the text, the CDs make this book the best value available for the course.

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TheMusicCulture as a World ofMusic
AfricaEwe Mande Dagbamba
11 Agbekor 532 Traditional music of the Ewe people Field recording by David Locke AnloAfiadenyigba
Shona Mbira Music
Performed by Leonard Baby Doo Caston AH210 Used by permission 181
IndiaSouth India
4 Playon Lasem sléndro pathet nem 118 Central
Latin AmericaChile Bolivia Ecuador Peru
León güiro Field Recording by John M Schechter out

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About the author (2005)

Jeff Todd Titon received his Ph.D. in American Studies from the University of Minnesota, where he studied ethnomusicology with Alan Kagan and musicology with Johannes Riedel. He has completed fieldwork in North America on religious folk music, blues music and old-time fiddling with support from the National Endowment for the Arts and the National Endowment for the Humanities. For two years he was the guitarist in the Lazy Bill Lucas Blues Band, a group that appeared in the 1970 Ann Arbor Blues Festival. The author or editor of seven books, including EARLY DOWNHOME BLUES (which won the ASCAP-Deems Taylor Award) and the five-volume AMERICAN MUSICAL TRADITIONS (named by Library Journal as one of the outstanding reference works of 2003), Titon is also a documentary photographer and filmmaker. In 1991, he wrote a hypertext multimedia computer program about old-time fiddler Clyde Davenport that is regarded as a model for interactive representations of people making music. He founded the ethnomusicology program at Tufts University, where he taught from 1971 to 1986. From 1990 to 1995, he served as the editor of ETHNOMUSICOLOGY, the journal of the Society for Ethnomusicology. A Fellow of the American Folklore Society since 1986, he has been Professor of Music and the director of the Ph.D. program in ethnomusicology at Brown University.

Linda Fujie received the Ph.D. in ethnomusicology from Columbia University, where she was a student of Dieter Christensen and Adelaida Schramm. She conducted field research in Japan, mainly concerning urban festival and popular music, under grants from the National Endowment for the Humanities, Columbia University, and Colby College. Her interest in overseas Japanese culture also resulted in research on Japanese-American and Japanese-Brazilian communities, the latter funded by the German Music Council. Her research has been published in the Yearbook for Traditional Music, in publications on popular music, and in Japanese journals. She taught at Colby College as Assistant Professor, at the East Asian Institute of the Free University of Berlin and lectured on ethnomusicology at the University of Bamberg.

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