The Rhetoric of the Roman Fake: Latin Pseudepigrapha in Context

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Cambridge University Press, Aug 16, 2012 - History - 311 pages
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Previous scholarship on classical pseudepigrapha has generally aimed at proving issues of attribution and dating of individual works, with little or no attention paid to the texts as literary artefacts. Instead, this book looks at Latin fakes as sophisticated products of a literary culture in which collaborative practices of supplementation, recasting and role-play were the absolute cornerstones of rhetorical education and literary practice. Texts such as the Catalepton, the Consolatio ad Liviam and the Panegyricus Messallae thus illuminate the strategies whereby Imperial audiences received and interrogated canonical texts and are here explored as key moments in the Imperial reception of Augustan authors such as Virgil, Ovid and Tibullus. The study of the rhetoric of these creative supplements irreverently mingling truth and fiction reveals much not only about the neighbouring concepts of fiction, authenticity, and reality, but also about the tacit assumptions by which the latter are employed in literary criticism.
 

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Contents

Literary fakes and their ancient reception
36
the Catalepton
74
Cataleloton 9 the Panegyricus Messallae
117
the Ciris
173
the Consolatio ad Liziam and Elegiae
205
towards a rhetoric of the Roman fake
242
Selected editions and commentaries of Latin texts discussed
264
Subject index
290
Index locorum
296
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About the author (2012)

Irene Peirano is Assistant Professor of Classics at Yale University.

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