Compositional Techniques in the Keyboard Sonatas of Carl Philipp Emanuel Bach: Reimagining the Foundations of a Musical StyleYale University, 1995 |
Contents
Contents | 7 |
Methods of reference xii | 9 |
IMPROVISATION | 49 |
Copyright | |
17 other sections not shown
Common terms and phrases
analysis annotation approach arpeggiation Bach's Versuch bar 9 basic idea Beethoven beginning in bar Berg C. P. E. Bach C. P. E. Bach's music cadence in bar Caplin Carl Philipp Emanuel Chapter chromatic closing phrase composer continuation counterpoint D-minor described development section diminution discussion dissonance dominant earlier edition Essay expanded cadential progression F major Figure Fischer foreground Forkel formal function Fortspinnung type free composition G minor half cadence harmonic Haydn hypermeter improvisation J. S. Bach Korsyn mannerist middleground modulation motivic enlargement movement Music Theory opening phrase parallels passage passing tone pattern perfect cadence Philipp Emanuel Bach phrase bars piece post-cadential Probestück reading recapitulation relation repetition Rothgeb Schenker Schenkerian Schenkerian analysis Schulenberg sentence sequence shows sonata exposition sonata form Steglich style suggest technique thematic theme third thoroughbass tion tonal process tonal structure tonic transitional phrase upper voice Urlinie varied reprises voice leading voice-leading Württemberg