Law and Representation in Early Modern Drama
This examination of the relation between law and drama in Renaissance England establishes the diversity of their dialogue, encompassing critique and complicity, comment and analogy, but argues that the way in which drama addresses legal problems and dilemmas is nevertheless distinctive. As the resemblance between law and theatre concerns their formal structures rather than their methods and aims, an interdisciplinary approach must be alive to distinctions as well as affinities. Alert to issues of representation without losing sight of a lived culture of litigation, this study primarily focuses on early modern implications of the connection between legal and dramatic evidence, but expands to address a wider range of issues which stretch the representational capacities of both courtroom and theatre. The book does not shy away from drama's composite vision of legal realities but engages with the fictionality itself as significant, and negotiates the methodological challenges it posits.
What people are saying - Write a review
We haven't found any reviews in the usual places.
Of rings and things and fine array marriage law evidence and uncertainty
Unmanly indignities adultery evidence an judgement in Hey woods A Woman Killed With Kindness
Evidence and representation on the theatre of God s judgements A Warning for Fair Women
Painted devils imagemaking and evidence in The White Devil
Locations of law spaces people play
action adultery Anne Anne Sanders Anne's ASSI associated audience Bacon bed-trick Bertram's Bracciano Cambridge Cambridge University Library canon law church courts colour common law confession conscience context contract Corpus Juris Civilis courtroom Covile discourse distinction divine domestic doth drama dumb show early modern Edmunds England English evidence evidentiary fiction Flamineo Frankford genre gestures God's hath Henry Swinburne Heywood's household husband Ibid Inns Inns of Court John judgement judicial labyrinth lawyer literary litigation London marriage marriage law matrimony metaphor Monticelso moral murder Murthers nature notion play play's plot procedure proof providential providentialist Quintilian Ram Alley relation Renaissance representation rhetorical ring scene sense sexual Shakespeare signs social space specific spectacle Spousals stage Star Chamber suggests Swinburne Swinburne's symbolic synecdoche theatre theatrical tokens Tragedy tragicomedy Treatise trial truth Vittoria Warning Webster's Wendoll White Devil widow wife witness Woman Killed women woord words