Jyväskylä studies in the arts, Issue 45Yliopisto., 1994 - Arts |
Contents
PRAEFATIO | 9 |
A PHILOSOPHICAL AND AESTHETIC PERSPECTIVE | 34 |
AIMS OF THIS INVESTIGATION 26 | 67 |
Copyright | |
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according aesthetic Ansermet artistic aspects assimilation auditive basic Beethoven causality Celibidache cognitive coherence complex composer composer's composition conductor congruency consciousness corresponding creative criteria critical David Lewin determined direction Dufrenne entails Ernest Ansermet experiential expression fact focuses formal fundamental Furtwängler gestalting Heinrich Schenker hermeneutics Hermerén historical human Husserl idea identity indeterminacy indicated Ingmar Bengtsson intentional intentionality interpretation analysis interpretation in performance interpretation research interpretation science interpretation theory interpreter's interpretive acts investigation Kurkela listener logical means melody metatheory modes music performance musical experience musical interpretation musicians musicology Musik musikalischen Nachtsheim notation notion object ontological patterns Paul Sacher perception performance practice performer's perspective phenomena phenomenological philosophy possible postulate presupposes problem proposed question realization reference relation relevant requires Schenker score semiotics sense Sergiu Celibidache sound event specific Stockholm Stravinsky structure tempo theoretical tone understanding University of Jyväskylä various whereas