Alejandro González IñárrituThis in-depth study of Mexican film director Alejandro González Iñárritu explores his role in moving Mexican filmmaking from a traditional nationalist agenda towards a more global focus. Working in the United States and in Mexico, Iñárritu crosses national borders while his movies break the barriers of distribution, production, narration, and style. His features also experiment with transnational identity as characters emigrate and settings change. In studying the international scope of Iñárritu's influential films Amores Perros, 21 Grams, and Babel, Celestino Deleyto and María del Mar Azcona trace common themes such as human suffering and redemption, chance, and accidental encounters. The authors also analyze the director's powerful visual style and his consistent use of multiple characters and a fragmented narrative structure. The book concludes with a new interview with Iñárritu that touches on the themes and subject matter of his chief works. |
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Common terms and phrases
21 Grams accident Adriana Barraza Alejandro Gonzalez Ifiarritu Amelia Amores perros Arnores articulated Babel become Biutiful bleach bypass border borderland Brigitte Broch character’s characters Chieko Chivo chronological close—up complex conflict consequence contemporary context country’s Cristina cultural death defined definition director emotional episode experience feature feeling fig Film film’s filmic filmmakers final find first frame Gael Garcia Bernal Garcia global Guillermo Arriaga Guillermo del Toro Gustavo Gustavo Santaolalla handheld camera Hollywood human Inarritu’s individual influence intensified jack jack’s lives look Mexican cinema Mexico City Moroccan movie multiprotagonist film narrative blocks narrative structure national cinema national identity network society Octavio ofthe Paul Paul’s perspective reflect Richard’s Rodrigo Prieto Santaolalla scene scrambled narrative sense sequence shot simultaneity social space of flows specific spectator stories storyline strategies Susan Tazarine temporal there’s three films Tijuana tion transitions urban Valeria visual wide angle Yussef