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ROCOCO CLASSICISM AND ROMANTICISM
THE NEW READING PUBLIC page
romanticism page 550 The Industrial Revo
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absolutely aesthetic aestheticism already aristocracy artistic attitude Balzac baroque Baudelaire becomes beginning bourgeois bourgeoisie character classicism classicistic conception conflict conservatism court criticism culture D. S. MIRSKY described Dickens Dostoevsky drama economic eighteenth century elements enlightenment everything existence experience expression fact feeling fight film Flaubert France freedom French genre George Eliot German Goethe hand hero human idea ideal impressionism impressionistic individual influence intellectual intelligentsia July monarchy l’art less liberalism literary literature longer means ment merely middle class modern moral motifs naturalistic nature never nineteenth century nobility novel outlook painting pastoral period philosophy play poet poetry political popular principle problems production progressive psychological purely rationalism reality relationship Renaissance represents Revolution revolutionary rococo romantic movement romanticism Rousseau Second Empire sense Slavophils social society spiritual spite Stendhal struggle style taste tendencies theatre Thomas Mann tion Tolstoy tragedy trend Voltaire whole writers