The Social History of Art, Volume 2 |
Contents
ROCOCO CLASSICISM AND ROMANTICISM | 501 |
THE NEW READING PUBLIC page | 534 |
THE ORIGINS OF DOMESTIC DRAMA page | 577 |
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Common terms and phrases
absolutely aesthetic aestheticism already aristocracy artistic attitude Balzac baroque Baudelaire becomes beginning bourgeois bourgeoisie CALIFORNIA/SANTA CRUZ character classicism classicistic conception conflict court criticism CRUZ The University culture D. S. MIRSKY Dickens Dostoevsky drama economic eighteenth century elements enlightenment everything existence experience expression fact feeling fight film Flaubert France freedom French genre George Eliot German Goethe hand hero human Ibid idea ideal impressionism impressionistic individual influence intellectual intelligentsia July monarchy l'art pour l'art less liberalism literary literature longer means ment merely middle class modern moral naturalistic nature never nobility novel outlook painting pastoral period philosophy play poet poetry political principle problems progressive psychological rationalism reality relationship Renaissance represents Revolution revolutionary rococo romantic movement romanticism Rousseau Second Empire Slavophils social society spiritual spite Stendhal struggle style taste tendencies theatre THOMAS MANN tion Tolstoy tragedy trend UNIVERSITY OF CALIFORNIA/SANTA whole writers