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Structure and Contents
Zarlinos Sources xxll
Comparison of Part IV in the I55S and 1573 Editions
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above-mentioned according Aeolian ancient Antiphon Apuleius authentic mode b-natural Boethius Book called chants coat composed consonances cont contained diapente diapente and diatessaron diatessaron Dimostrationi divided arithmetically divided harmonically Dodecachordon Dorian Dorian mode Ecclesiastics edition of 1573 eighth mode eleventh example Fifth Discussion fifth mode figurated music figures final note finalis fourth species Gafori Glarean Greek harmonic division harmoniche harmony Hence Hypodorian Introit inventors Ionian Istitutioni ligature Loeb Classical Library Lydian major third manner means melody mentioned Mixolydian mode numbers modulation motet musicians namely ninth mode note b-flat numbers octave species Phrygian mode piffero placed plagal modes poets polyphonic polyphonic composition principal modes proportion Psalmody Psalms Ptolemy regular beginnings second mode second species semitone SEUOUAE seventh mode sing sixth mode sixth species sung syllable tenor tenth mode tetrachord things third mode third species Translated transposed twelfth mode verses wholetone Willaert words Zarlino says