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Ameri American Azalea beauty Bertram Burr called character charm Christian civilization Clarice Cuba dear death dream earth Edgar Poe England eral Ernest Norton Estcourt eyes face fancy father fear feel feet flowers France genius girl give Hamilton hand happy Hasheesh Eater Havana head heard heart heaven hope hour human Jemmy Button Keppel Island knew labor lady land laugh leave Leigh Hunt less letter light live look marriage Maurice ment merino mind Miss Forrester nature ness never night once opium party passed passion poem poet poetry poor present remarkable scene seemed sion Smartville smile soon soul Spain speak spirit sweet tain tears tell thee thing thou thought tion trees true truth ture turn verse voice woman words write young
Page 432 - The glories of our blood and state Are shadows, not substantial things. There is no armour against fate ; Death lays his icy hand on kings : Sceptre and crown Must tumble down, And in the dust be equal made With the poor crooked scythe and spade.
Page 53 - I shall detain you now no longer in the demonstration of what we should not do, but straight conduct you to a hill-side, where I will point you out the right path of a virtuous and noble education; laborious indeed at the first ascent, but else so smooth, so green, so full of goodly prospect, and melodious sounds on every side, that the harp of Orpheus was not more charming.
Page 194 - As for jest, there be certain things which ought to be privileged from it; namely, religion, matters of state, great persons, any man's present business of importance, and any case that deserveth pity.
Page 277 - LET me not to the marriage of true minds Admit impediments. Love is not love Which alters when it alteration finds, Or bends with the remover to remove: O, no! it is an ever -fixed mark, That looks on tempests and is never shaken; It is the star to every wandering bark, Whose worth's unknown, although his height be taken.
Page 163 - ... A poem, in my opinion, is opposed to a work of science by having, for its immediate object, pleasure, not truth ; to romance, by having, for its object, an indefinite instead of a definite pleasure, being a poem only so far as this object is attained ; romance presenting perceptible images with definite, poetry with indefinite sensations, to which end music is an essential, since the comprehension of sweet sound is our most indefinite conception.
Page 378 - And taste, to him the gushing of the wave Far far away did seem to mourn and rave On alien shores...
Page 163 - A poem, in my opinion, is opposed to a work of science by having, for its immediate object, pleasure, not truth; to romance, by having for its object an indefinite instead of a definite pleasure, being a poem only so far as this object is attained : romance presenting perceptible images with definite, poetry with indefinite sensations, to which end music is an essential, since the comprehension of sweet sound is our most indefinite conception. Music, when combined with a pleasurable idea, is poetry;...
Page 57 - What then I was. The sounding cataract Haunted me like a passion : the tall rock, The mountain, and the deep and gloomy wood, Their colours and their forms, were then to me An appetite; a feeling and a love, That had no need of a remoter charm, By thought supplied, nor any interest Unborrowed from the eye.
Page 192 - Haste thee, nymph, and bring with thee Jest, and youthful Jollity, Quips, and cranks,* and wanton* wiles, Nods, and becks, and wreathed smiles, Such as hang on Hebe's cheek, And love to live in dimple sleek; Sport that wrinkled Care derides, And Laughter holding both his sides.
Page 164 - ... that comes to him at eventide, from far-distant, undiscovered islands, over dim oceans, illimitable and unexplored. He owns it in all noble thoughts — in all unworldly motives — in all holy impulses — in all chivalrous, generous, and self-sacrificing deeds.