Bad Music: The Music We Love to Hate
Christopher Washburne, Maiken Derno
Psychology Press, 2004 - Music - 379 pages
Why are some popular musical forms and performers universally reviled by critics and ignored by scholars-despite enjoying large-scale popularity? How has the notion of what makes "good" or "bad" music changed over the years-and what does this tell us about the writers who have assigned these tags to different musical genres? Many composers that are today part of the classical "canon" were greeted initially by bad reviews. Similarly, jazz, country, and pop musics were all once rejected as "bad" by the academy that now has courses on these and many other types of music. This book addresses why this is so through a series of essays on different musical forms and performers. It looks at alternate ways of judging musical performance beyond the critical/academic nexus, and suggests new paths to follow in understanding what makes some music "popular" even if it is judged to be "bad." For anyone who has ever secretly enjoyed ABBA, Kenny G, or disco, Bad Music will be a guilty pleasure!
What people are saying - Write a review
We haven't found any reviews in the usual places.
Other editions - View all
Adorno album American Idol argue argument artists Attali audience authenticity bad music banal band become Bourdieu Cambridge camp classical music commercial composers concept contemporary contestants country music critique culture Dahlhaus deﬁned deﬁnition discourse discussion example experience extreme hardcore fans ﬁdelity ﬁeld ﬁgure ﬁlm ﬁnd ﬁrst folk music Frith functional genre glitch glitch music Global Goodman Hedwig Ibid ideology inﬂuenced Kenny G label Lead Belly listening Lomax lounge lounge music mainstream marketing melody metal music industry musical style musical theater musicians Musicology narratives noise object one’s orchestra original performance Personal communication play political pop music popular music production punk racial radio record reference reﬂected repertoire rock critics rock musicals Rolling Stone Routledge signiﬁcant singing smooth jazz social songs sonic sound speciﬁc taste there’s tion Toné traditional trans trivial music tune umgangsmaﬁig urban vocal voice what’s world music York